The Fighting Parson

Welcome back to the 2021 Four Centuries in a weekend event. This layout focuses on the Caldwell Parsonage, which is a fancy way of saying "house where the preacher lived." You'll remember that I mentioned Reverend Caldwell when we saw the church he preached at in Elizabeth, NJ. He and his wife, Hannah (pictured on the trading card), lived here with their 10 children. 

The Battle of Connecticut Farms Church, discussed in the last blog, is relevant here. As the British soldiers retreated, they streamed past this house. A shot was fired, which entered the home and killed Hannah. Was it intentional? Was it to get back at her husband, who had been preaching Independence along with the bible? No one really knows. But the moment is sealed into Union County history as the portrayal of her murder is featured in the official County Seal! The original house was, of course, burned by a Loyalist mob, but this home was rebuilt on the original foundation. 

This is the site of the local Historical Society, and so the contents range from the 1700s through the 1800s. The braided hair death memorial is typical of the 19th century, but it fascinates me. I had to take issue with the guided tour, though. We were shown a hip bath and told that families bathed in order, all in one bath, and that by the time the youngest were washed, the water was pretty dirty, which is where the phrase "Don't throw the baby out with the bath water" originated. This is FALSE. Please stop repeating it. That phrase and others are debunked in this Snopes page.

This layout is based on another challenge in Tammy McEwen's end-of-year event. This one goes back to the CM November 2025 virtual crop, and it's the same sketch I used for the East Jersey Olde Towne Print Shop. Because it's different papers on the same sketch, you'd never know that they are from the same source material! It also helps that I had flipped the first layout horizontally. This one uses the Legacy of Love pack. I found 2 sticker borders for the right-side page, then a laser-cut border with a similar pattern for the left vertical strip. I thought that, based on Hannah and Reverend Caldwell's family life, Legacy of Love was a fitting title for this layout.

But It's Not IN Connecticut!

Welcome back to the 2021 Four Centuries in a Weekend event for Union County, New Jersey. This blog picks up on Sunday morning, and my first visit that you'll see on the blog was to Connecticut Farms Presbyterian Church. Apparently, they liked the name Connecticut, and the original settlers were primarily farmers. The church was also the site of a Revolutionary War battle. I actually visited here twice. I arrived and was awaiting Melania's arrival, but she was at Caldwell Parsonage. I went there to meet her, then returned. While she toured the church, I explored the graveyard further. Lots more 18th-century graves here, but in excellent condition! My favorite stone featured the "autograph" of the stone carver. British soldiers who died during the battle are in a mass grave at the center of the graveyard. That's on a peekaboo pocket that isn't pictured, but you can visit to see the layout in its entirety!

I made this layout during Tammy McEwen's End-of-the-Year scrapbooking challenge. She collected twelve of her favorite double-page layouts from the CM virtual crops this year and packaged them so we could work through the pages quickly in December. Each layout completed earns a ticket toward her prize of one of her classes. This layout was part of the July 2025 Virtual Crop, and you can check out the sketch here. Scroll to challenge #3. As I did with another church page, I selected 2 different background papers — brick on the left and patterned on the right. The light blue cardstock becomes the mat for all the photos. I used some leftover stickers from my stash for decorations. The church sticker is the oldest — likely at least 20 years old. But it still works.

My Favorite People

This post is the last in the Liberty Hall Meetup series from my October 2021 trip to the Four Centuries in a Weekend Event. The final photos inside the house are of the butler's pantry. There was a dumbwaiter and the butler's safe, where all the silver was kept. The last 2 photos are of our meetup group. You can see that for October, the weather was nice, as we were all in short sleeves, standing on the porch of the visitor center. We went out to dinner after the tour. You may remember that my friend Deb once ordered broccoli for breakfast, and I've never let her forget it. Broccoli for dinner is pretty standard, but I had to photograph it anyway!

For this layout, I turned to one of Cheryl Even's sketches from Split Coast Stampers (I flipped it horizontally to place the meetup on the right). I liked this layout because I printed the group photo as an 8x10, and it provided ample space to highlight it. I chose the papers and embellishments from Sweet Blossom (one of the secret boxes from 2023). You can see I didn't have as many photos as the layout indicated. I substituted one block for the title element (a cutapart block from the kit) and a journal box. I debated adding more of those elements to complete the sketch, but ultimately decided to leave the border and paper uncovered for a nicer effect. I was so happy to find that little title sticker "Fave People" in the kit, though!

The Gilded Age

Welcome back to my tour of Liberty Hall in October 2021. Additional rooms downstairs included the parlor and game rooms. I love the decor in here, from the chandeliers to the family photo collections on the side table. And that grammophone! I could get comfortable in here...

This layout is based on the Meggan and Tessa Power Hour class from September 2024. You can watch the video tutorial here (and look at their website to download a paper copy of the instructions). I used paper and embellishments from the Shabby Chic collection (an ancient secret box — possibly the second or third mystery box). Although the rooms are not shabby, the distressed floral print and the border with the baubles on a chain celebrate the spirit of the Gilded Age. The embellishments feature a touch of foil, making the page sparkle. I used a fairly dark background, so I chose a white gel pen to journal.

Give Me Liberty

Welcome back to the 2021 Union County Four Centuries in a Weekend event. My last stop for Saturday was Liberty Hall. I planned another meetup with our NPTC club members, as I had in 2019. This time, however, I was determined to join the tour. The blue house on the left page is the visitor center. Liberty Hall is the yellow house on the right page. Construction of the initial house (14 rooms) began in 1760, with the original owner serving in the Continental Congress and as New Jersey's first governor. The house passed through several other families before returning to a niece of the original owner. By the late 1800s, there was a push to expand the house, and it now stands at 50 rooms! 

By the early 1900s, the family started conservation and the creation of a museum, buying back period pieces from the original owners. The tours for the Four Centuries event are free. Unfortunately, they also only cover the garden and the first floor of the house. If you want the upstairs, you must purchase the whole tour on another weekend. I've seen so many old houses that I doubt I will return to see the rest. You can see a few of the rooms below, and you will see more in the following blog entries.

This layout was made for the CM November 2025 virtual crop. Scroll to sketch #4. The left page is mostly exterior photos, while the right side focuses on interior images, including the dining room set for a Halloween Party (we toured in October, remember). When looking through my collections, I decided on the Burlap and Lace collection, which had previously been a secret box. There were 2 packs of paper, and the lacy prints worked best for this layout. I used three tones of lace paper--white, pink, and brown. Those were layered on soft ivory cardstock. I used border stickers and a few other embellishments from the kit to round out the pages.

Stop Calling our House a Box

OK, first I'll explain the post title. There is an internet meme in which a scrapbooker proudly states that all her supplies can fit in one box. To which the husband says, "Stop calling our house a box!" That might describe me a bit 😆

My next stop for the Union County Four Centuries in a Weekend is Boxwood Hall. This is a lovely mansion and features many rooms of colonial and post-colonial decor. The owner, Elias Boudinot (the trading card on the left), served as one of the Presidents of the Continental Congress near the end of the war (1782-1783). Elias hosted George Washington for lunch on his way to the first presidential inauguration in New York City. Alexander Hamilton also stayed here for a time while attending the nearby Elizabethtown Academy. But that was before he was famous (just you wait!).

This layout is based on a Beginner's Project Recipe given to CM Advisors in January 2023 (I can email you a copy on request). It was meant to correspond to the paper you see in the layout called "Homebody". The sketch can be thought of as one of Noreen Smith's 1-2-3 sketches, though it only takes 2 cuts! You can use any paper, but the Homebody kit had this print that reminded me of the carpets in all of the rooms of this house. Instead of cutting 2" strips from the same side of the paper, I made 2" cuts on each side, leaving me with the border elements for the right side of the page. The middle section is then moved to the left. Both are layered on more papers from the kit, though cardstock is certainly an option. A small pack of embellishments is available with the paper and provides a few clusters of interest around the page.

They Can't ALL be First

Welcome back to the Four Centuries in a Weekend 2021 event. My next stop in Elizabeth, NJ, was the First Presbyterian Church. The congregation began in the 1660s, though they met in a meeting house, not this building. The building they erected was burned by the British during the Revolutionary War. This building dates from just after the war (about 1785). I imagine they burned the first structure as its minister, the "Fighting Parson," was often preaching about the British atrocities (especially after they killed his wife). We'll get to their lives a bit later as we'll visit their home. 

For now, the highlight of this visit was the churchyard next to the church. I'm used to seeing the intricate carvings on 19th-century tombstones, so I was interested to see the 17th- and 18th-century versions. Many of them have fallen into disrepair, but a few remain in good condition. I saw a lot of winged skulls for the decorations. Not quite as intricate as the 19th-century stones, but quite interesting.

This layout is based on one of the CM Project Recipes I've saved, called Memoirs and Memories, though I used Keeping the Faith papers (of course — it's a church!). I moved things to reflect the needs of my layout. I used the vertical paper strip on the left as a mat for the brochure rather than photos. I moved the cluster of embellishments from the bottom of the right-hand column to beneath the pamphlet, since that's where the space was. On the right-side page, I added the photo mats but used a paper design with crosses to offset the pictures and give the graveyard a stronger sense of place.

What is more unusual for me is that I used 2 different papers for the backgrounds! I liked the brick on the left (and I had just acquired a bunch of brick papers at a crop I was attending, so it was a nice freebie!) But it didn't work on the right, so I used a sheet of matching cardstock. The borders have been in my stash for quite a while. I punched them at a previous crop (several years ago) and ended up not using them for that particular layout. I was looking for something "wrought iron" to enclose the graveyard, and these were the perfect fit. This is why we hold onto things!

Four Centuries in one Site

Happy New Year, everyone! Welcome back to my blog and to my Fall 2021 trip. The Union County Four Centuries in a Weekend theme meant that sites located across the county spanned the early 1600s through the 20th century. The William Robinson Plantation took that quite literally, putting a World War II reenactment troop on the front lawn. The house itself dates back to the 1600s, so yes, four centuries in one location! I had visited this location previously, but returned as I was missing a stamp. Having more time here, let me take a closer look at this reenactment. There was a communications tent in active use, and some sort of platoon meeting and activity.

This layout is based on a Fast & Fun Project with Noreen from November 2023. I used the same collection she did, though I didn't have any more of the dark blue word paper, so I substituted navy cardstock. I used a border along the bottom that repeated the word "ARMY". I had more photos than she did, so most of the text was covered. Well, that happens sometimes. There is an 8 1/2 x 11 pocket between the 2 pages of the layout, so this is a one-page layout.

Inside the house, the focus is more on the building's history. The original owner was a physician, and so there is a large display of apothecary jars and equipment. In the backyard, there is an old horse-drawn milk wagon. I had not seen this previously, and it was an interesting display.

The right side of the layout was made with a CM Sketch from April 2022. They had posted three sketches for Earth Day to encourage us to use up our scraps (rather than throwing them out). Those sketches were only ever on Facebook, not on the blog, as they usually post, so the Pinterest link is the only way to view them currently. I used Paper Loft Euphoria papers for this layout (both the back of the 8 1/2x11 pocket and the interior house photos). The border across the middle of the page is a recent punch from CM, and although it is a canning jar, it matched the bottles on the shelves in the photos. I had punched that in black for a different layout, but never used it. This also allowed me to use a scrap in the spirit of the original challenge.

Passport to Adventure

Welcome back to my Fall 2021 extended vacation. On Saturday, October 16th, I started making the rounds of the Four Centuries in a Weekend locales. I visited quite a few, but I'll include only the sites that are also part of the Crossroads of the American Revolution trail in the blog. This year, I obtained a passport specifically for the event. This gave me a place to put the "bonus" stamps (as categorized in the NPTC database). Somehow, Union County managed to issue stamps that look just like the Eastern National official stamps. It created quite a conundrum about whether to include them in the database. That has now been settled, as we have added numerous state parks and other non-NPS groups to the database. If you haven't looked at that yet and enjoy collecting stamps when you travel, you should take a look! 

This layout is based on a pin I saved from Creative Life Scrapbooking. I didn't purchase the directions; I figured out the design on my own. I started by using the new CM inks and stencil to create the background paper. On reflection, I should have placed more leaves on the left side closer to the edge. The large acorn on the decorative pumpkin box is there because I messed up one of the border leaves with a pen that was too wet. From the first time I started scrapbooking, I've learned to cover mistakes with embellishments! The pumpkins were made with the CM Custom Cutting System squares and rectangles. I inked the edges for some extra oomph and added small bits of brown for the stems. I used a few scraps of cardstock and decorative paper. The largest pumpkin is cut from the mat that holds the passport. I knew the passport would cover the hole. It's not visible now, but I tucked the passport into a brochure pocket. It was too thick to hold on with just photo corners.

Highs of the Low House

After leaving the East Jersey Olde Towne Village, I headed to the campus of Rutgers University. The entrance to the Cornelius Low House is just beyond their football stadium (and the parking lot was undergoing renovation, making driving and finding the path rather interesting). The home has been preserved as one of the earliest examples of Georgian architecture and one of the few remaining from Raritan Landing (you can't see a river nearby now, but this was a port city in the 1700s).

My favorite part of the visit was the outside. The metal "shadow" figures on the lawn and the birdhouse gazebo were used to tell the story of the families who lived here through the years. Inside, the rooms are sparse, and, as the center of the local Historical Society, the upstairs houses a series of rotating displays on New Jersey life in general rather than focusing solely on the Revolutionary War. The Low Family was divided by the Revolutionary War, with some members ostracized and exiled to England afterward.

This layout is loosely based on one of Meggan and Tessa's Power Hour projects. You can see the pin I saved here (follow the links to the video and download). I had a small piece of Vintage Chic paper left that I used to mat the 2 vertical photos on the left page. I found a similarly patterned paper in my stash to use for the right-side page. There is an 8 1/2x11" pocket between the pages, so I wasn't too worried about making the pages match exactly. The black cardstock background allowed the lighter cardstock punches to shine. That is the Elegant Diamond border punch from Creative Memories, and as of the day I'm writing this, it is still available. The mini journal box was also from the Vintage Chic collection. 

After this layout, I "retired" that collection. That means I put all of the smaller remnants into the stash bags rather than keeping them all together. Journal cards went into the journal card box; any remaining paper pieces were placed in scrap envelopes by color; and any remaining stickers and elements went into the theme folder. Any stickers with words on them are cut into individual pieces and stored in my "Words of Wisdom" binder (in alphabetical order). 

Lasting Impressions

My last stop at the East Jersey Olde Towne was the print shop. I was delighted to find that the printer was a woman! In her period garb and protective apron, I watched her review the print block, discuss setting type, ink the press, and create a handful of flyers and labels for the honey jars in the gift shop. My father owned a print shop when we were younger, and while his press was electric, it worked much the same, so I found myself smiling all the way through the demonstration. And it was a show for just me! Not too many visitors on a Friday afternoon. I bought a jar of their honey, too.

This layout is based on the CM Virtual Crop sketch for November 2025 (scroll to sketch #3). I flipped the layout horizontally so the feature photo would be the printing press and card. Like the schoolhouse page, I chose Graphic 45 papers to complete the design. Notice the label on the honey and the little card decoration--they feature a bee! I had a yellow sheet in my stash that also featured bees, so I knew it was going on this layout. One sheet was enough to create the vertical strip and the horizontal mat. I had previously cut a decoration out of the paper on the reverse side. However, strategic cutting and placement of the photos and cards covered that hole. I bet you'd never know it was there if I hadn't told you. The sketch calls for another color for the borders and the right-side mat page. The butterfly print was close to bees, and I had wanted that darker contrast. Then, to ensure nothing was lost, I mounted both sides on plain white cardstock. A few stickers and other embellishments finished the page. (And I just noticed the red "O" sticker. That fell onto the layout and has since been removed. Not a decorative element!)

Good Old Golden Rule Days

Another building I visited in the East Jersey Olde Town Village is a one-room schoolhouse. This one is of stone construction. I typically associate these with the frontier and assume log cabins, but this one was made of sturdier stuff. The desks were all paired, and each had its own slate tucked into a well at the front.

This layout is based on one of the CM sketches in the 101 Sketch book, page 52. I turned the sketch 90 degrees because my photos were all landscape. 

I used a base from the Copper and Kraft paper pack (an advisor-only pack). The pattern reminded me of the Graphic 45 papers that make up the rest of the layout. I've finally come to the last of my historic school papers and embellishments. I really liked that little rectangular photo of the kids going to school next to my journal box. That captures the essence of the time period perfectly! The title elements are from the Copper and Kraft kit as well. A little brighter than I would have hoped for, but it was the right sentiment for the title. 

The bottom row border is supposed to be a series of books. I first struggled to find that punch because, well, it wasn't a punch! That's one of the cutting dies I had purchased. Once I realized that, I created 2 segments to place side by side to form a border. I need a less busy pattern for the paper. Neither the books nor the little counting phrase was 12" long, so I filled in the left edge with another embellishment image. Not strictly school, but young girls, and that worked for me. 

Half a Door is Better Than None

Welcome back to my tour of East Jersey Olde Towne Village. We finally come to the areas that were staffed. I enjoyed talking to this housewife about her daily life. The house has a small garden to the side, though most of the plants were well past the harvesting stage. I liked that they had included a half-door, and she was standing in the doorway awaiting my visit! The tour covered only the first floor and focused primarily on the kitchen, which was fine with me. 

This layout is based on one of the CM Virtual Crop Sketches from November 2025. Scroll to layout #2 (I turned it to the right). November 2025 was also a Secret Box opening month, and I always buy those kits. This one included the border maker cartridge you see on the right side of the 4" strips. I wasn't sure that the 3 strips would align correctly when stacked, so I carefully placed them on the paper holder as I wanted them on the page. Post-it notes help to hold paper in place if you need more stability. The brown border sticker is a leftover from an older kit in my stash, but I thought it worked well with this layout. There were also leftover buttons and hearts, which reflected the homey feel of the photos.

Horsing Around at the Blacksmith Shop

Welcome back to my tour of East Jersey Olde Towne in October 2021. The next location I visited was also unstaffed — the blacksmith's shop. I've seen forges working at other parks, so I didn't need the details, though it is usually a nice program. Additional rusty farm equipment was just outside the barn, so you get a whole idea of all the items they had to work on. Lots of horseshoes are lined up as well.

I based this layout on one of the CM virtual crop sketches from November 2025. Look at sketch #1 (I doubled it for this layout). I wanted to focus on the red barn and the brick chimney. The background paper is cranberry cardstock, and I had 2 matching pieces of brick paper for the mat area. I punched the barbed wire fence with a CM Border Making Cartridge. I trimmed off one link so that it fit just over the mat area. I found a mat with a distressed gray pattern and trimmed it into 4 equal segments. By tucking those under the brick paper, it looks like a single long piece extending across the page. Saves paper that way! I found a border sticker that I cut into short lengths to use as a title, and then mimicked that effect by putting my journaling on white write strips on the right page. A few stickers from the CM On the Farm pack rounded out the layout. 

Up a Steep and Very Narrow Stairway

This blog post is a continuation of the Indian Queen Tavern tour. The upstairs is more reminiscent of family life than of an inn, but it still houses some wonderful pieces. I especially liked the piano (which might be a harpsichord, I forget the details). The stairway itself is a special historic artifact. The period style called for a very sturdy yet winding, narrow staircase. This saves room in the floor plan, but can be treacherous on the climb. Watch your step if you visit!

I based this layout on a pin I had saved. Noreen Smith made the original pages you can see in this pin, but she only posted a photo of the design, no directions. I tried to emulate her style from the one clue in the original post—it's all from one sheet of paper. I chose the last piece of paper in my Literary Romance collection and used the woodgrained side. I started by cutting an 8" square from the center of the paper. That piece is placed as a diamond on the right side of the layout. The remaining piece of paper is turned so the corners hang over the left page edges. I tried to center the paper as best I could, then turned it over and cut off the sides, leaving me with the 4 corner elements for the right-side page. I couldn't tell whether Noreen meant the center mat sections were also from the same sheet of paper, but I don't think they are. For that reason, I found 2 8" square remnants in my stash and used them to mount the photos in the center of the pages. The title element and the corner stickers on the left page are from Creative Memories. The remaining embellishments are from the Paper Loft collection.

In the Inn

Welcome back to my extended fall break from 2021. The first building I walked through in the East Jersey Olde Towne Village was this tavern. It started as a private residence, but with the addition of rooms and remodeling, it eventually became a tavern and inn. The first floor focuses on the tavern portion with the bar room and dining room set up for travelers. As with many other locations, Washington is reputed to have dined here on his journey between New York and Virginia. The manikin below is supposed to represent him. I love that they included a mock-up of the food served, too!

This layout is based on a Club Scrap layout that I saved. The link to the layout sample is here. I found a link to the PDF directions that include the cutting guides (email me if you would like a copy). I chose papers from Paper Loft. Isn't the teapot design simply the best fit for the background? The directions call for several decorative papers. I used 1 sheet for the stripes, 1 for the border bases, and 1 for the small squares. The green tonal paper didn't precisely match the teapot background, so it creates the visual separation needed for the layout to work. There are a dozen 1" squares on the layout. You could use all one pattern, or use this as an excuse to use up a variety of scraps. Just make sure the tones match. The small journal box and the other embellishment cluster were remnants I found in my stash pile.

It Takes a Village

My fall 2021 vacation extended through the weekend, though my husband returned to our home. Union County holds its Four Centuries in a Weekend event on the 2nd weekend of October. I planned to attend those events, but since they don't start until Saturday, I used Friday to schedule visits along my travel route. New Brunswick, NJ, is in Middlesex County (not far from Rutgers University), so I made plans to pick up a few more stamps there. The East Jersey Olde Towne is a collection of buildings that would have been found in Colonial America, but like the Appalachian village in the Great Smoky Mountains, gathered from various sites and moved to a central location. They have a regular supply of living history actors, and I got to meet several of them.

This layout is based on one of the CM Virtual Crop layouts from October 2025. Scroll to layout #1. The secret to the long strip that flows off the bottom of the page is to use 2 mats that are 4 1/2" x 6 1/2". You need to pick 2 that match and tape them together in the middle (you'll cover that with the photos). That gives you 13 inches of length, so you can position it with the ends just hanging off the sides, then trim the excess. I also used some paper from the collection (I'm using Legacy of Love again) because there were decorations in the middle that I wanted to cover, and it wasn't quite covered by the photos, as they were trimmed to 5 1/2" long each. The base is a sheet of  Hot Fudge Brown cardstock. I gutted the middle so I could use it for the mats on the smaller photos. There is a companion page on the right with the village map, and there will be lots more journaling as I go, so I was OK with the small journal box under the photo.

The Shirts on Our Backs

This post is going out on New Year's Eve. I hope you all have had a wonderful holiday season and will be ready for more of my National Park Adventures in 2025!

Our club made the difficult decision to cancel the in-person convention for 2020. There were too many concerns about Covid and large groups (and I'm not entirely sure we'd be able to get into our hotel rooms). The first thing the club did was to encourage our members to take photos of themselves in prior convention shirts. A photo at a park was ideal, but if not possible, just a picture in the shirt would suffice. I wore the New Bedford Whaling shirt and posed in front of the house during the week.

This layout is based on this sketch.

I'm playing along with Lasting Memories, and their challenge for this week is to base a layout on a sketch. That sketch is from 2021, so I've been holding on to it for a while! I didn't use the "polaroid-style" mat for the photos as I turned one of them into a journal box, which would have looked a bit odd. This paper is from "You Got This," which has a great set of tie-dyed papers. The tones connected with that orange-ish shirt, and the embellishments included more modern teen vibes, like the cell phone. But I like the way they all connected perfectly!.

On the Friday before the convention, I chose the Flagstaff shirt from the year prior (it's what I would have worn at the convention, of course!) I wanted to do more than photograph myself in my yard, so I walked a block over to the Grey Stone monument. We live near where William Penn signed the treaty with the Native Americans for what is now Pennsylvania! The closest I got to a National Park was the Trenton Barracks--part of the Crossroads of the American Revolution trail. The gates were closed, so I could just peek above the fence and see the tops of the barracks. That's why I got my photo with the sign. Although I was outdoors, other people were around, so I had my mask on in that photo.

For this layout, I followed a sketch I had used once before (not shown in the blog; I used it for one of my Lighthouse Challenge pages). For December 2024, I've enrolled in Tammy McEwen's end-of-the-year challenge. She brings back sketches from the CM blog throughout the year so that we finish pages matching the year (this year, we will finish 24 pages if we do them all!) (Inspired by a Creative Memories sketch and #TammyMcEwen #Tammys2024Challenge) The paper pack is Happy Camper. It didn't include journal cards, so I used a couple from a pack I won at a non-CM crop many years ago. I think they were from Close to My Heart, but I can't be sure. I chose a border punch rather than punching individual circles for the border. If I wanted more pop (though this particular page is fine), I could have also added more circles under the decorative arcs. Because the background paper is so busy, I chose to mount my photos on white mats, making them easier to see.

Give us Liberty!

The last stop of the day was at Liberty Hall. I had arranged an NPTC Meetup. While we didn't run into each other much during the day, we gathered here for the day's final tour. I set up my stamper near the official stampers and tried to pull everyone together. However, I missed the last tour as club members kept arriving and wanted to stamp! Well, there will be another one next time, I'm sure! Several of us headed to dinner after this to chat more, and then it was time to return to the current year.

This layout is based on one of the CM sketches in the 101 sketchbook (page 60). I am using a collection called Gem Tone, a secret box from a few years ago. I love it for pages with historic homes. It just seems to "fit". The bottom is 1 1/2" strips (again, a great way to use up scraps!) The border sticker across the top covers any slight imperfections in the length. The kit came with a set of laser-cut frames. The one you see above is 1/2 of the frame in the kit. I only needed to highlight one photo, and I could keep the other half for a different page. I tucked the cut edge under the brochure so you cannot see any imperfect edges.

Post #500! Stop Inn

Wow, this blog is on post #500! Thanks to everyone who has stuck with me over the years. I hope you've enjoyed the tales as much as I enjoyed making and sharing the pages with you.

My next stop was this historic tavern. The location was active a bit AFTER the Revolutionary War. It was part of a stagecoach route connecting Boston, New York, and Philadelphia. They recreated the tavern and kitchen from the early 1800s. Another building on site is related to the Colonial era, but while it is preserved, it serves as their gift shop.

This layout is based on Cheryl Even's Sketch #76. I used an ivory piece of cardstock and a long strip of Old CM paper (I'm not sure what pack that came from, but it's probably 2009 or so). I cut another piece of cardstock with one of CM's large custom-cutting system shapes. It's no longer for sale on their site, but keep an eye out, as sometimes they do "retro" sales and bring back classic pieces for brief periods. Replacing one of the photos with a journal box allowed me to add the brochure for the site to the decorative element in green. I then added a 12" border sticker (cut in half so I could use it top and bottom) and a couple of old candlestick stickers, which I think are actually from a formal dining kit 😊. Given it's a tavern, I thought the "Cheers" title fit pretty well.